Math Bass: My Dear Letter
My Dear Dear Letter presents a recent entry to Math Bass’s ongoing “Newz!” paintings, adding to the artist’s evolving formal vocabulary. Bass’s entries emerge through a process of excision. A contour traced from a pre-existing shape is then abstracted away. In this case, nothing is ripped or destroyed, rather the form yields another through its re-orientation, comparable to how N when rotated can appear as Z, and E could be flipped to read as W. Similarly, Bass’s work explores the contour of a shape through repetition, often within one composition. What follows is a sequence whose legibility asks to be read as mutable, or as toward multiple.