Some headless presidential busts are the focal point for this exhibition, which features some of the latest work by Sara Cwynar. Best known for her use of collage and re-photography, Sara creates composite images that resemble old advertisements or stock photography.
"I can never consider an object without some impulse to keep it," the artist says. "... In sum: products aimed at minor improvements of the self and the home, remains of high modernist idealism."