"While visiting the recently opened museum of modern Arab art in Beirut, I noticed with great surprise that most paintings on display had no shadows. At first I was beside myself, convinced that religious zealots had destroyed the shadows. But there was no debris.
I pondered anxiously whether the shadows had lost their bearings or grip. But I suppose I should have known all along that the shadows were not destroyed nor lost: they had simply lost interest in the walls where they were made to hang. I decided to build new walls on which I carved shadow-like forms—magnets of sorts—in the hope they’d attract the restless shadows. Thus far, not a single catch." — Walid Raad